[Illustration: INCLINED TO TAKE IT COOLLY;]

whereas a gray Duffield, or a cotton chintz, would be certain to induce
deductions highly prejudicial to the respectability of your character,
or, what is of equal importance, to the duration of your credit.

The colour of your materials should be selected with due regard to the
species of garment and the tone of the complexion. If the face be of
that faint drab which your friends would designate _pallid_, and your
enemies sallow, a coat of pea-green or snuff-brown must be scrupulously
eschewed, whilst black or invisible green would, by contrast, make that
appear delicate and interesting, which, by the use of the former
colours, must necessarily seem bilious and brassy.

The rosy complexionist must as earnestly avoid all sombre tints, as the
inelegance of a healthful appearance should never be obtrusively
displayed by being placed in juxta-position with colours diametrically
opposite, though it is almost unnecessary to state that any one
ignorant enough to appear of an evening in a coat of any other colour
than blue or black (regimentals, of course, excepted), would certainly
be condemned to a quarantine in the servant's hall. There are colours
which, if worn for trousers by the first peer of the realm, would be as
condemnatory of his character as a gentleman, as levanting on the
settling-day for the Derby.

The dark drab, which harmonises with the mud--the peculiar
pepper-and-salt which is warranted not to grow gray with age--the
indescribable mixtures, which have evidently been compounded for the
sake of economy, must ever be exiled from the wardrobe and legs of a