to their respective places.

LA TRENISE

is evidently intended to "trot out" the dancers. Freckles and black satin
shake hands as they did in _la Pantalon_, and then freckles trots tip out
twice, and crosses over to the opposite side to have a good look at him;
having satisfied her curiosity, she then, in company with black satin,
crosses over to have a stare at the violent wristbands, in contrast with
tip who wriggles over, and join him, and then, without saying a word to
each other, bob, and are twirled as in _l'Eté_.

LA PASTORALE

seems to be an inversion of _la Trenise_, except that in nineteen cases
out of twenty, the waistcoat, tip, camellia and wristbands, seem to
undergo intense mental torture; for if there be such a thing as "poetry of
motion," _pastorale_ must be the "Inferno of Dancing."

LA FINALE

commences with a circular riot, which leads to _l'Eté_. The ladies then
join hands, and endeavour to imitate the graceful evolutions of a
windmill, occasionally grinding the corns of their partners, who
frantically rush in with the quixotic intention of stopping them. A
general shuffling about then takes place, which terminates in a bow, a
bob, and "allow me to offer you some refreshment."

_Malheureux!_ we have devoted so much space to the quadrille, that we have
left none for the supper, which being a cold one, will keep till next week.