An American Idyll - The Life of Carleton H. Parker by Cornelia Stratton Parker
page 158 of 164 (96%)
page 158 of 164 (96%)
![]() | ![]() |
|
laugh--I used to think of course they stood for happiness. There can be
many smiles, much laughter, and it means--nothing. But surely anything is kinder for a friend to see than tears! When Carl returned from the East in January, he was more rushed than ever--his time more filled than ever with strike mediations, street-car arbitrations, cost of living surveys for the Government, conferences on lumber production. In all, he had mediated thirty-two strikes, sat on two arbitration boards, made three cost-of-living surveys for the Government. (Mediations did gall him--he grew intellectually impatient over this eternal patching up of what he was wont to call "a rotten system." Of course he saw the war-emergency need of it just then, but what he wanted to work on was, why were mediations ever necessary? what social and economic order would best ensure absence of friction?) On the campus work piled up. He had promised to give a course on Employment Management, especially to train men to go into the lumber industries with a new vision. (Each big company east of the mountains was to send a representative.) It was also open to seniors in college, and a splendid group it was, almost every one pledged to take up employment management as their vocation on graduation--no fear that they would take it up with a capitalist bias. Then--his friends and I had to laugh, it was so like him--the afternoon of the morning he arrived, he was in the thick of a scrap on the campus over a principle he held to tenaciously--the abolition of the one-year modern-language requirement for students in his college. To use his own expression, he "went to the bat on it," and at a faculty meeting that afternoon it carried. He had been working his little campaign for a couple of months, but in his absence in the East the other side had been busy. He returned just in time for the fray. Every one knows what a farce one year of a modern |
|