The Girl at the Halfway House - A Story of the Plains by Emerson Hough
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page 17 of 298 (05%)
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they must not come upon this field, made sacred by such woe.
The column of occupation had begun its movement. Far as the eye could see, the way was filled with the Northern troops now swinging forward in the march. Their course would be along this road, across these earthworks, and over the fields between the wood and the town. The rattle and rumble of the advance began. Upon the morning air there rose the gallant and forgetful music which bade the soldier think not of what had been or would be, but only of the present. The bugles and the cymbals sounded high and strong in the notes of triumph. The game was over. The army was coming to take possession of that which it had won. It had won--what? Could the answer be told by this chorus of woe which arose upon the field of Louisburg? Could the value of this winning be summed by the estimate of these heaps of sodden, shapeless forms? Here were the fields, and here lay the harvest, the old and the young, the wheat and the flower alike cut down. Was this, then, what the conqueror had won? Near the intrenchment where the bitter close had been, and where there was need alike for note of triumph, and forgetfulness, the band major marshalled his music, four deep and forty strong, and swung out into the anthem of the flag. The march was now generally and steadily begun. The head of the column broke from the last cover of the wood and came into full sight at the edge of the open country. Thus there came into view the whole panorama of the field, dotted with the slain and with those who sought the slain. The music of triumph was encountered by the concerted voice of grief and woe. There appeared for the feet of this army not a mere road, a mere battlefield, but a |
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