Uncle Burton used to go there to see his father, and I always used to be
hanging around Grandfather and the mill, and the woods. I was crazy
about it all, as a boy, used to work right along with the mill-hands,
and out chopping with the lumbermen. Maybe Uncle Burton noticed that."
He was struck with a sudden idea, "By George, maybe _that_ was why he
left me the mill!" He cast his eye retrospectively on this idea and was
silent for a moment, emerging from his meditation to say, wonderingly,
"Well, it certainly is _queer_, how things come out, how one thing hangs
on another. It's enough to addle your brains, to try to start to follow
back all the ways things happen . . . ways you'd never thought of as of
the least importance."

"Your Uncle Burton was of some importance to _us_," she told him. "Miss
Oldham at the _pension_ said that she had just met a new American, down
from Genoa, and when I heard your name I said, 'Oh, I used to know an
old Mr. Crittenden who ran a wood-working factory up in Vermont, where I
used to visit an old cousin of mine,' and that was why Miss Oldham
introduced us, that silly way, as cousins."

He said, pouncingly, "You're running on, inconsequently, just to divert
my mind from asking you again who or what Touclé is."

"You can ask and ask all you like," she defied him, laughing. "I'm not
going to tell you. I've got to have _some_ secrets from you, to keep up
the traditions of self-respecting womanhood. And anyhow I couldn't tell
you, because she is different from everything else. You'll see for
yourself, when we get there. If she's still alive." She offered a
compromise, "I'll tell you what. If she's dead, I'll sit down and tell
you about her. If she's still alive, you'll find out. She's an Ashley
institution, Touclé is. As symbolic as the Cumean Sybil. I don't believe