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The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 197 of 315 (62%)

The third act opens in Violetta's chamber with a reminiscence of the
introduction. As she contemplates her changed appearance in the
mirror, she bids a sad farewell to her dreams of happiness in the
aria, "Addio! del passato," in harsh contrast with which is heard a
bacchanalian chorus behind the scenes ("Largo al quadrupede"). In the
next scene occurs the passionate duet with Alfred, "Parigi, o cara,"
which is a close copy of the final duet in "Trovatore" between Manrico
and Azucena. It is followed by the aria, "Ah! gran Dio," for Violetta,
which leads to the concluding quintet and death scene.


IL TROVATORE.

"II Trovatore," an opera in four acts, words by Cammarano, was first
produced in Rome, Jan. 19, 1853. In 1857 it was brought out in Paris
as "Le Trouvere," and in London, 1856, in English, as "The Gypsy's
Vengeance." It was produced in Rome in the same year with "La
Traviata," but unlike the latter, it was greeted at once with an
enthusiastic welcome; and it has held the stage ever since as one of
the most popular operas in the modern repertory. In this regard,
indeed, it shares with "Martha" and "Faust" the highest place in
popular admiration.

The opera opens with a midnight scene at the palace of Aliaferia,
where the old servitor, Ferrando, relates to his associates the story
of the fate of Garzia, brother of the Count di Luna, in whose service
they are employed. While in their cradles, Garzia was bewitched by an
old gypsy, and day by day pined away. The gypsy was burned at the
stake for sorcery; and in revenge Azucena, her daughter, stole the
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