The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 197 of 315 (62%)
page 197 of 315 (62%)
![]() | ![]() |
|
The third act opens in Violetta's chamber with a reminiscence of the introduction. As she contemplates her changed appearance in the mirror, she bids a sad farewell to her dreams of happiness in the aria, "Addio! del passato," in harsh contrast with which is heard a bacchanalian chorus behind the scenes ("Largo al quadrupede"). In the next scene occurs the passionate duet with Alfred, "Parigi, o cara," which is a close copy of the final duet in "Trovatore" between Manrico and Azucena. It is followed by the aria, "Ah! gran Dio," for Violetta, which leads to the concluding quintet and death scene. IL TROVATORE. "II Trovatore," an opera in four acts, words by Cammarano, was first produced in Rome, Jan. 19, 1853. In 1857 it was brought out in Paris as "Le Trouvere," and in London, 1856, in English, as "The Gypsy's Vengeance." It was produced in Rome in the same year with "La Traviata," but unlike the latter, it was greeted at once with an enthusiastic welcome; and it has held the stage ever since as one of the most popular operas in the modern repertory. In this regard, indeed, it shares with "Martha" and "Faust" the highest place in popular admiration. The opera opens with a midnight scene at the palace of Aliaferia, where the old servitor, Ferrando, relates to his associates the story of the fate of Garzia, brother of the Count di Luna, in whose service they are employed. While in their cradles, Garzia was bewitched by an old gypsy, and day by day pined away. The gypsy was burned at the stake for sorcery; and in revenge Azucena, her daughter, stole the |
|