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The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 211 of 315 (66%)
opens with a touching recitative between Desdemona and Emilia. While
the former prepares herself for slumber she sings the "Willow Song,"
an unaffected melody as simple and characteristic as a folk-song.
Emilia retires, and by a natural transition Desdemona sings an "Ave
Maria," which is as simple and beautiful in its way as the "Willow
Song." She retires to her couch, and in the silence Othello steals in,
dagger in hand, the contra-basses giving out a sombre and deep-toned
accompaniment which is startling in its effect. He kisses her, the
motive from the love-duet appearing in the orchestra; then, after a
hurried dialogue, stifles her. He then kills himself, his last words
being a repetition of those in the duet, while the strings tenderly
give out the melody again.


FALSTAFF.

"Falstaff," an opera in three acts, words by Arrigo Boito, was first
performed March 12, 1893, at the Teatro alla Scala, Milan, with the
following cast of characters:--

Mistress FORD Signora ZILLI
NANNETTA Madame STEHLE
FENTON M. GARBIN
Dr. CAIUS Signor PAROLI
PISTOLA Signor ARIMONDI
Mistress PAGE Signora GUERRINI
Mistress QUICKLY Signora PASQUA
FORD Signor PINI-CORSI
BARDOLFO Signor PELAGALLI-ROSSETTI
FALSTAFF M. MAUREL
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