The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 211 of 315 (66%)
page 211 of 315 (66%)
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opens with a touching recitative between Desdemona and Emilia. While
the former prepares herself for slumber she sings the "Willow Song," an unaffected melody as simple and characteristic as a folk-song. Emilia retires, and by a natural transition Desdemona sings an "Ave Maria," which is as simple and beautiful in its way as the "Willow Song." She retires to her couch, and in the silence Othello steals in, dagger in hand, the contra-basses giving out a sombre and deep-toned accompaniment which is startling in its effect. He kisses her, the motive from the love-duet appearing in the orchestra; then, after a hurried dialogue, stifles her. He then kills himself, his last words being a repetition of those in the duet, while the strings tenderly give out the melody again. FALSTAFF. "Falstaff," an opera in three acts, words by Arrigo Boito, was first performed March 12, 1893, at the Teatro alla Scala, Milan, with the following cast of characters:-- Mistress FORD Signora ZILLI NANNETTA Madame STEHLE FENTON M. GARBIN Dr. CAIUS Signor PAROLI PISTOLA Signor ARIMONDI Mistress PAGE Signora GUERRINI Mistress QUICKLY Signora PASQUA FORD Signor PINI-CORSI BARDOLFO Signor PELAGALLI-ROSSETTI FALSTAFF M. MAUREL |
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