The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 215 of 315 (68%)
page 215 of 315 (68%)
![]() | ![]() |
|
vocal parts are extraordinary in their declamatory significance, the
strength of the opera lies in the instrumentation, and its charm in the delicious fun and merriment which pervades it all and is aptly expressed in the closing lines:-- "All in this world is jesting. Man is born to be jolly, E'en from grief some happiness wresting Sure proof against melancholy." WAGNER. Richard Wagner, who has been somewhat ironically called the musician of the future, and whose music has been relegated to posterity by a considerable number of his contemporaries, was born at Leipsic, May 22, 1813. After his preliminary studies in Dresden and Leipsic, he took his first lessons in music from Cantor Weinlig. In 1836 he was appointed musical director in the theatre at Magdeburg, and later occupied the same position at Königsberg. Thence he went to Riga, where he began his opera "Rienzi." He then went to Paris by sea, was nearly shipwrecked on his way thither, and landed without money or friends. After two years of hard struggling he returned to Germany. His shipwreck and forlorn condition inspired the theme of "The Flying Dutchman," and while on his way to Dresden he passed near the castle of Wartburg, in the valley of Thuringia, whose legends inspired his well-known opera of "Tannhäuser." He next removed to Zurich, and about this time appeared "Lohengrin," one of his most favorite operas. |
|