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The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 261 of 315 (82%)
from them. Mime then shows him the fragments of his father's sword,
which had been shattered upon Wotan's spear, the only legacy left her
son by Sieglinde, and tells him that he who can weld them together
again will have power to conquer all before him. Mime had long tried
to forge a sword for Siegfried, but they were all too brittle, nor had
he the skill to weld together the fragments of Siegmund's sword,
Nothung. The only one who can perform that task is the hero without
fear. One day Siegfried returns from a hunting expedition and
undertakes it himself. He files the fragments into dust and throws it
into the crucible, which he places on the fire of the forge. Then
while blowing the bellows he sings a triumphant song ("Nothung!
Nothung! neidliches Schwert"), which anticipates the climax towards
which all the previous scenes have led. As he sings at his work Mime
cogitates how he shall thwart his plans and get possession of the
sword. He plots to have him kill Fafner, the giant, who has changed
himself into a dragon, for the more effectual custody of the
Rhine-treasure and the ring. Then when Siegfried has captured the
treasure he will drug him with a poisoned broth, kill him with the
sword, and seize the gold. Siegfried pours the melted steel into a
mould, thrusts it into the water to cool, and then bursts out into a
new song, accompanied by anvil blows, as he forges and tempers it, the
motive of which has already been heard in the "Rhinegold" prelude,
when Alberich made his threat. While Mime quietly mixes his potion,
Siegfried fastens the hilt to his blade and polishes the sword. Then
breaking out in a new song, in which are heard the motives of the
fire-god and the sword, he swings it through the air, and bringing it
down with force splits the anvil in twain. The music accompanying this
great scene, imitating the various sounds of the forge, the flutter of
the fire, the hissing of the water, the filing of the sword, and the
blows upon the anvil, is realism carried to the very extreme of
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