then sullenly leaves and disappears among the rocks. The hero falls to
the earth and dies, breathing Brünnhilde's name, for in the last
supreme moment the spell of Hagen's draught passes away. With his last
breath he breaks out in a death-song of surpassing beauty and majesty,
in which the motives are those of the Volsung and the Valkyr, as well
as of the destiny which is to reunite them in death. Once more he
murmurs the name of Brünnhilde, and then his companions tenderly place
him upon his shield, and lifting him upon their shoulders carry him to
the misty summits and disappear in the cloud, to the mighty and
impressive strains of a funeral march, built up on the motives of
Siegmund, the love-duet of Siegmund and Sieglinde, the sword and
Volsung motives, and Siegfried's great theme. In the interweaving of
these motives and their sombre coloring, in massive fortissimo and
crescendo effects, in expressive musical delineation, and in majestic
solemnity, the Siegfried funeral march must take precedence of all
other dirges. In truth it is a colossal and heroic funeral poem fit to
celebrate the death of a demigod. In the last scene Siegfried's body
is borne back to the hall of the Gibichungs amid loud lamenting. When
Gutrune learns what has occurred, she bitterly curses Hagen and throws
herself on Siegfried's corpse. Hagen and Gunter quarrel for the
possession of the ring, and Gunter is slain; but when Hagen tries to
take the ring, the hand of the dead hero is raised in warning. Then
Brünnhilde solemnly and proudly advances in the light of the torches
and bids the empty clamor cease, for "this is no lamenting worthy of a
hero." She orders a funeral pyre to be built, and Siegfried is laid
thereon. She contemplates the dead hero with passionate love and
sadness, and then solemnly turning to those about her, exclaims:
"Those who efface the fault of the gods are predestined to suffering
and death. Let one sacrifice end the curse. Let the Ring be purified
by fire, the waters dissolve it forever. The end of the gods is at