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The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 278 of 315 (88%)
condition that he will marry. The prisoner has but an hour and three
quarters to live, but he consents. He is provided with wedding
apparel, and a banquet is spread in honor of the occasion. During the
feast Lazarillo brings in a paper to Don José containing the King's
pardon for Don Caesar, but the minister promptly conceals it.
Maritana, her features disguised by a veil, is introduced, and as the
nuptial rites are performed the soldiers prepare to execute the
penalty. At the expiration of the hour Don Caesar is led out to meet
his fate, but Lazarillo has managed to abstract the balls from the
guns. The soldiers perform their duty, and Don Caesar feigns death;
but as soon as the opportunity occurs, he leaves the prison and
hurries to a grand ball given by the Marquis and Marchioness de
Montefiori at their palace, while the Marquis, who has had his
instructions from Don José to recognize Maritana as his long-lost
niece, is introducing her as such. Don Caesar enters and demands his
bride. The astonished Don José, perceiving that his scheme to
introduce Maritana at court is liable to be frustrated, offers the
Marquis a rich appointment if he will induce his wife to play the part
he shall suggest. The scheme is soon arranged, and the Marchioness,
closely veiled, is presented to Don Caesar as the Countess de Bazan.
Disgusted at "the precious piece of antiquity," as he terms her, and
fancying that he has been duped, he is about to sign a paper
relinquishing his bride, when he suddenly hears Maritana's voice. He
recognizes it as the same he had heard during the marriage rites. He
rushes forward to claim her, but she is quickly carried away, and he
is prevented from following.

The last act opens in a palace belonging to the King, where Maritana
is surrounded with luxury, though she is as yet unaware that she is in
the royal apartments. Don José, fancying that Don Caesar will not dare
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