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The Republic by Plato
page 51 of 789 (06%)
gentlemen offers to exhibit himself and his poetry we will show him every
observance of respect, but at the same time tell him that there is no room
for his kind in our State; we prefer the rough, honest poet, and will not
depart from our original models (Laws).

Next as to the music. A song or ode has three parts,--the subject, the
harmony, and the rhythm; of which the two last are dependent upon the
first. As we banished strains of lamentation, so we may now banish the
mixed Lydian harmonies, which are the harmonies of lamentation; and as our
citizens are to be temperate, we may also banish convivial harmonies, such
as the Ionian and pure Lydian. Two remain--the Dorian and Phrygian, the
first for war, the second for peace; the one expressive of courage, the
other of obedience or instruction or religious feeling. And as we reject
varieties of harmony, we shall also reject the many-stringed, variously-
shaped instruments which give utterance to them, and in particular the
flute, which is more complex than any of them. The lyre and the harp may
be permitted in the town, and the Pan's-pipe in the fields. Thus we have
made a purgation of music, and will now make a purgation of metres. These
should be like the harmonies, simple and suitable to the occasion. There
are four notes of the tetrachord, and there are three ratios of metre, 3/2,
2/2, 2/1, which have all their characteristics, and the feet have different
characteristics as well as the rhythms. But about this you and I must ask
Damon, the great musician, who speaks, if I remember rightly, of a martial
measure as well as of dactylic, trochaic, and iambic rhythms, which he
arranges so as to equalize the syllables with one another, assigning to
each the proper quantity. We only venture to affirm the general principle
that the style is to conform to the subject and the metre to the style; and
that the simplicity and harmony of the soul should be reflected in them
all. This principle of simplicity has to be learnt by every one in the
days of his youth, and may be gathered anywhere, from the creative and
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