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Sketches and Studies in Italy and Greece, First Series by John Addington Symonds
page 20 of 359 (05%)
begins in the high Alps. Wherever sunlight smiles away a patch of
snow, the brown turf soon becomes green velvet, and the velvet stars
itself with red and white and gold and blue. You almost see the grass
and lilies grow. First come pale crocuses and lilac soldanellas. These
break the last dissolving clods of snow, and stand upon an island,
with the cold wall they have thawed all round them. It is the fate
of these poor flowers to spring and flourish on the very skirts
of retreating winter; they soon wither--the frilled chalice of the
soldanella shrivels up and the crocus fades away before the grass
has grown; the sun, which is bringing all the other plants to life,
scorches their tender petals. Often when summer has fairly come,
you still may see their pearly cups and lilac bells by the side of
avalanches, between the chill snow and the fiery sun, blooming and
fading hour by hour. They have as it were but a Pisgah view of the
promised land, of the spring which they are foremost to proclaim. Next
come the clumsy gentians and yellow anemones, covered with soft
down like fledgling birds. These are among the earliest and hardiest
blossoms that embroider the high meadows with a diaper of blue and
gold. About the same time primroses and auriculas begin to tuft the
dripping rocks, while frail white fleur-de-lis, like flakes of
snow forgotten by the sun, and golden-balled ranunculuses join with
forget-me-nots and cranesbill in a never-ending dance upon the grassy
floor. Happy, too, is he who finds the lilies-of-the-valley clustering
about the chestnut boles upon the Colma, or in the beechwood by
the stream at Macugnaga, mixed with garnet-coloured columbines and
fragrant white narcissus, which the people of the villages call
'Angiolini.' There, too, is Solomon's seal, with waxen bells and
leaves expanded like the wings of hovering butterflies. But these
lists of flowers are tiresome and cold; it would be better to draw
the portrait of one which is particularly fascinating. I think that
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