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Sketches and Studies in Italy and Greece, First Series by John Addington Symonds
page 42 of 359 (11%)
each other of exalted enthusiasm. This efflux of their combined
energies inspires them and exasperates the mighty resonance of metal
which they rule. They are lost in a trance of what approximates to
dervish passion--so thrilling is the surge of sound, so potent are the
rhythms they obey. Men come and tug them by the heels. One grasps
the starting thews upon their calves. Another is impatient for their
place. But they strain still, locked together, and forgetful of the
world. At length they have enough: then slowly, clingingly unclasp,
turn round with gazing eyes, and are resumed, sedately, into the
diurnal round of common life. Another pair is in their room upon the
beam.

The Englishman who saw these things stood looking up, enveloped in his
ulster with the grey cowl thrust upon his forehead, like a monk. One
candle cast a grotesque shadow of him on the plastered wall. And when
his chance came, though he was but a weakling, he too climbed and for
some moments hugged the beam, and felt the madness of the swinging
bell. Descending, he wondered long and strangely whether he
ascribed too much of feeling to the men he watched. But no, that was
impossible. There are emotions deeply seated in the joy of exercise,
when the body is brought into play, and masses move in concert, of
which the subject is but half conscious. Music and dance, and the
delirium of battle or the chase, act thus upon spontaneous natures.
The mystery of rhythm and associated energy and blood tingling
in sympathy is here. It lies at the root of man's most tyrannous
instinctive impulses.

It was past one when we reached home, and now a meditative man might
well have gone to bed. But no one thinks of sleeping on Sylvester
Abend. So there followed bowls of punch in one friend's room, where
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