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Punch, or the London Charivari, Volume 152, March 14, 1917 by Various
page 40 of 47 (85%)
British Government watermark, which obviously proved they were genuine.

Nothing for it but to clear out (through a portrait of the All-Highest),
leaving _Kit_ in the safe to suffocate. Enter police (comic). Where is
_Kit?_ Brain-wave. In the safe, behind secret panel. Problem: how to open
it. The service was evidently so secret that it had never told one of its
brightest young men about combination letter-locks. But the dancer
remembers that the chief spy had carefully explained to her the letters of
the combination. Release of _Kit_ and a curtain which suggested that the
initiative remained with the _Kiraly_.

The authors are to be congratulated. They provided a good unpretentious
evening's entertainment. No dull and pedantic realism for them. The
dialogue was bright, occasionally to the sparkling point. The players were
competent and zealous. Mr. KENNETH DOUGLAS gave the right variety to his
three parts, _Goring_ as he was, _Goring_ as he was assumed to be for
purpose of bluffing the enemy, and _Kit Brent_; and he played his great
bathroom scene with humour and complete discretion. Miss IRIS HOEY was a
charming innocent adventuress with heart of gold and eye of gladness; Mr.
HIGNETT, as _Kit's_ self-possessed man _Cosens_, quite admirable, with just
the right mixture of friendliness without impertinence and restraint
without servility. Mr. WENMAN as a superabundant gum-chewing impresario,
and Mr. EILLE NORWOOD as head villain, were quite plausible in the
interesting and unlikely situation. I must say I like this kind of nonsense
immensely. T.

* * * * *

[Illustration: HOMEWARDS: AN ALLOTMENT IDYLL.]

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