stated to be the point of time at which men cease to be ancients;
Cassius with good reason deviated from the ancient manner.

XX. Defects of ancient eloquence: the modern style more refined and
elegant.

XXI. The character of Calvus, Cælius, Cæsar and Brutus, and also of
Asinius Pollio, and Messala Corvinus.

XXII. The praise and censure of Cicero.

XXIII. The true rhetorical art consists in blending the virtues of
ancient oratory with the beauties of the modern style.

XXIV. Maternus observes that there can be no dispute about the
superior reputation of the ancient orators: he therefore calls upon
Messala to take that point for granted, and proceed to an enquiry into
the causes that produced so great an alteration.

XXV. After some observations on the eloquence of Calvus, Asinius
Pollio, Cæsar, Cicero, and others, Messala praises Gracchus and Lucius
Crassus, but censures Mæcenas, Gallio, and Cassius Severus.

XXVII. Maternus reminds Messala of the true point in question; Messala
proceeds to assign the causes which occasioned the decay of eloquence,
such as the dissipation of the young men, the inattention of their
parents, the ignorance of rhetorical professors, and the total neglect
of ancient discipline.

XXXIV. He proceeds to explain the plan of study, and the institutions,