The Cathedral by J.-K. (Joris-Karl) Huysmans
page 27 of 458 (05%)
page 27 of 458 (05%)
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pale coffee colour as a half-caste, and white as an European, thus
declaring that, as mediator for the whole human race, She was everything to each, everything to all; and promising by the presence of Her Son, whose features bore the character of each race, that the Messiah had come to redeem all men without distinction. And it seemed as though the sun, as it mounted higher, followed the growth of the Virgin, taking its birth in the window where She was still a babe in that northern transept where Saint Anne, her mother, of the black face, sat between David, the king of the golden harp, and Solomon, the bearer of the blue-lilied sceptre, each against a background of purple, to prefigure the royal birth of the Son; between Melchizedec, the mitred patriarch, holding the censer, and Aaron, in the curious red cap bordered with lemon yellow, representing prophetically the Priesthood of Christ. And at the end of the apse, quite high up, there was another Mary--triumphant, looking down the sacred grove, supported by figures from the Old Testament and by Saint Peter. It was She again who in the south transept faced Saint Anne, She, now a woman and herself a mother, amid four enormous men bearing pick-a-back on their shoulders four smaller figures; these were the four Greater Prophets who had foretold the coming of the Messiah--Isaiah, Jeremiah, Daniel, and Ezekiel, bearing the four Evangelists, and thus artlessly expressing the parallelism of the Old and New Testaments, and the support given by the Old Covenant to the New. And then, as though Her presence were not fully ubiquitous, as though She desired that, turn where they might, Her worshippers should ever see Her, the Virgin was to be found on a smaller scale in less important |
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