The Life of the Spirit and the Life of To-day by Evelyn Underhill
page 38 of 265 (14%)
page 38 of 265 (14%)
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such history; for here, if we try to enter by sympathy into the past, we
can see the life of the Spirit emerging and being lived in all degrees of perfection and under many different forms. Here, through and behind the immense diversity of temperaments which it has transfigured, we can best realise its uniform and enduring character; and therefore our own possibility of attaining to it, and the way that we must tread so to do. History does not exhort us or explain to us, but exhibits living specimens to us; and these specimens witness again and again to the fact that a compelling power does exist in the world--little understood, even by those who are inspired by it--which presses men to transcend their material limitations and mental conflicts, and live a new creative life of harmony, freedom and joy. Directly human character emerges as one of man's prime interests, this possibility emerges too, and is never lost sight of again. Hindu, Buddhist, Egyptian, Greek, Alexandrian, Moslem and Christian all declare with more or less completeness a way of life, a path, a curve of development which shall end in its attainment; and history brings us face to face with the real and human men and women who have followed this way, and found its promise to be true. It is, indeed, of supreme importance to us that these men and women did truly and actually thus grow, suffer and attain: did so feel the pressure of a more intense life, and the demand of a more authentic love. Their adventures, whatsoever addition legend may have made to them, belong at bottom to the realm of fact, of realistic happening, not of phantasy: and therefore speak not merely to our imagination but to our will. Unless the spiritual life were thus a part of history, it could only have for us the interest of a noble dream: an interest actually less than that of great poetry, for this has at least been given to us by man's hard passionate work of expressing in concrete image--and ever the more concrete, the greater his art--the results of |
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