3. Portia. The maidenly passion now becoming great, and chiefly divine in
its humility, is still held absolutely subordinate to duty; no thought of
disobedience to her dead father's intention is entertained for an instant,
though the temptation is marked as passing, for that instant, before her
crystal strength. Instantly, in her own peace, she thinks chiefly of her
lover's;--she is a perfect Christian wife in a moment, coming to her
husband with the gift of perfect Peace,--

"Never shall you lie by Portia's side
With an unquiet soul."

She is highest in intellect of all Shakspeare's women, and this is the root
of her modesty; her 'unlettered girl' is like Newton's simile of the child
on the sea-shore. Her perfect wit and stern judgment are never disturbed
for an instant by her happiness: and the final key to her character is
given in her silent and slow return from Venice, where she stops at every
wayside shrine to pray.

4. Hermione. Fortitude and Justice personified, with unwearying affection.
She is Penelope, tried by her husband's fault as well as error.

5. Virgilia. Perfect type of wife and mother, but without definiteness of
character, nor quite strength of intellect enough entirely to hold her
husband's heart. Else, she had saved him: he would have left Rome in his
wrath--but not her. Therefore, it is his mother only who bends him: but she
cannot save.

6. Imogen. The ideal of grace and gentleness; but weak; enduring too
mildly, and forgiving too easily. But the piece is rather a pantomime than