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The Aldine, Vol. 5, No. 1., January, 1872 - A Typographic Art Journal by Various
page 102 of 130 (78%)
in their babyhood, and dwarfed cedars, cast a mimic shade, and
bestow an air of dignity and venerableness to the place.

The first object upon which the eye is apt to rest on approaching
this modern Lilliput is the squire's house, the residence of the
landed proprietor. This is a handsome edifice of some eight by
ten inches in breadth and height. It stands upon an eminence in
the midst of ornamented grounds, and with its white walls, its
lofty cupola, and high, square portico, presents a properly
imposing appearance. There are signs of social life about the
mansion befitting its own style of conscious superiority. In the
wide arched entrance hall stands a high-born dame attired in gay
Watteau costume--red-heeled slippers, brocaded petticoat, and
bodice and train of puce-colored satin. She is receiving the
adieux of an elegant gentleman, hatted, booted, and spurred, who,
with whip in hand and dog by his side, is about to descend the
steps and mount his horse for a ride over his estate. A bird-cage
swings by an open window, and, on the lawn, a group of children,
in charge of their nurse, are engaged in the time-honored game
of "Ring-around-a-rosy." Winding walks, bordered with shrubbery,
disappear among fantastic mounds of rock-work, moss-grown
grottoes, and tiny dells of fern; and under a ruined arch, gray
with lichen and green with vines, flows a placid streamlet,
spanned by a rustic bridge. In the meadow beyond, flocks of sheep
are cropping the grass, and an old negro is busily engaged in
repairing a breach in the stone wall.

Hard by this stately demesne is a humbler tenement, built of
wattled logs, but showing signs of comfort and thrift all about
it. The old grandsire sits in a high-backed chair, sunning
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