stimulated us, given us a lead and kept us dancing to the tune of her
exciting personality. She had made all the difference between an
ordinarily successful dance and what Mrs. Sturton at the open door
continually described as "a really delightful evening."

She had to repeat the phrase, because with the first stroke of midnight
ringing out from the big clock over the stables, came also the first
intimation of the new movement. Mrs. Sturton's fly was mysteriously
delayed; and I had a premonition even then, that the delay promised some
diversion. The tone of the stable clock had its influence, perhaps. It was
so precisely the tone of a stage clock--high and pretentious, and with a
disturbing suggestion of being unmelodiously flawed.

Miss Tattersall, Olive Jervaise's friend, a rather abundant fair young
woman, warmed by excitement to the realisation that she must flirt with
some one, also noticed the theatrical sound of that announcement of
midnight. She giggled a little nervously as stroke succeeded stroke in an
apparently unending succession.

"It seems as if it were going on all night," she said to me, in a
self-conscious voice, as if the sound of the bell had some emotional
effect upon her.

"It's because it's out of place," I said for the sake of saying something;
"theatrical and artificial, you know. It ought to be..." I did not know
quite what it ought to be and stopped in the middle of the sentence. I was
aware of the wide open door, of the darkness beyond, and of the timid
visiting of the brilliant, chattering crowd by the fragrance of scented
night-stock--a delicate, wayward incursion that drifted past me like the
spirit of some sweet, shabby fairy. What possible bell could be