Beethoven by George Alexander Fischer
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page 17 of 237 (07%)
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fame, and others achieved it in after years. In this collection of
geniuses the attrition of mind on mind must have been of benefit to each. The conductor, Joseph Reicha, had a nephew, Anton Reicha, whom he adopted, who played the flute in the orchestra. He and Beethoven were intimate, and the prominence which Beethoven gives to the flute in his orchestral works may in part be explained by this intimacy. Reicha afterward joined Beethoven at Vienna, remaining there until 1808, when he took up his residence in Paris. He was a prolific composer and the author of numerous theoretical works. Many of his operas were produced in Paris during his lifetime. He taught at the Paris Conservatoire, and was a member of the Institute. Then there was Bernhard Romberg, and his cousin Andreas Romberg. The latter was a musical prodigy, having played the violin in concerts as early as his seventh year. At seventeen, his virtuosity was such that he was engaged for the Concerts Spirituels at Paris. Some years later he journeyed to Bonn to be near his cousin Bernhard, with whom he was intimate, and accepted a position in the Elector's orchestra as violinist. He later went to Vienna, then Hamburg, and afterward became Kapellmeister at Gotha. He composed all kinds of music, instrumental and vocal, symphonies, operas, etc. His setting of Schiller's "Song of the Bell" is well known at the present day, as well as the oratorio, "The Transient and the Eternal." He was made Doctor of Music by Kiel University. Bernhard Romberg was a distinguished violoncellist. When his connection with the Elector's orchestra ceased, he made a professional tour to Italy and Spain with his more famous cousin Andreas and was very successful. In 1796 they came to Vienna and gave a concert at which Beethoven assisted. Bernhard afterward was a professor in the Paris Conservatoire and later became Kapellmeister at Berlin. He was a composer of operas, concertos, etc. While he and Beethoven were not in accord on the subject of musical composition, each disliking the other's works, there is no question but that his |
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