will never have the virility that characterizes the speech of the free
man.

As with all valuable things, however, Beethoven's music is not to be
enjoyed for nothing. We must on our side contribute something to the
enterprise, something more than simply buying a ticket to the
performance. We must study his work in the right spirit, and place
ourselves in a receptive attitude when listening to it to understand his
message. Often metaphysical, particularly in the work of his later
years, his meaning will be revealed only when we devote to it earnest
and sympathetic study. No other composer demands so much of one; no
other rewards the student so richly for the effort required. The making
a fact the subject of thought vitalizes it. It is as if the master had
said to the aspirant: "I will admit you into the ranks of my disciples,
but you must first prove yourself worthy." An initiation is necessary;
somewhat of the intense mental activity which characterized Beethoven in
the composition of his works is required of the student also. There is a
tax imposed for the enjoyment of them.

Like Thoreau, Beethoven came on the world's stage "just in the nick of
time," and almost immediately had to begin hewing out a path for
himself. He was born in the workshop, as was Mozart, and learned music
simultaneously with speaking. Stirring times they were in which he first
saw the light, and so indeed continued with ever-increasing intensity,
like a good drama, until nearly his end. The American Revolution became
an accomplished fact during his boyhood. Nearer home, events were fast
coming to a focus, which culminated in the French Revolution. The magic
words, Liberty, Equality, Fraternity, and the ideas for which they
stood, were everywhere in the minds of the people. The age called for
enlightenment, spiritual growth.