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The Ceremonies of the Holy-Week at Rome by Charles Michael Baggs
page 55 of 154 (35%)
entered the Papal college of singers in 1629, was the most successful,
and was for some time sung on all the three days of Tenebræ. Then one
composed by Alessandro Scarlatti, or that of Felice Anerio, used to
be sung on holy thursday: but these were eclipsed by the _Miserere_,
composed in 1214 by Tommase Bai a Bolognese, director of the choir of
S. Peter's. From that time only Allegri's and Bai's were sung in the
Pope's chapel; till Pius VII directed the celebrated Baini to compose
a new _Miserere_, which has received well-merited applause. Since the
year 1821 all three, viz. Baini's, Bai's, and Allegri's _Misereres_
are sung on the three successive days, and generally in the order in
which we have mentioned them: the two latter are sometimes blended
together. The first verse is sung in harmony, the second in plain
chant, and so successively till the last verse, which alone is sung in
harmony by both the choirs, into which the singers are divided; only
one choir sings the other verses[53].

[Sidenote: Cardinal penitentiary]

[Sidenote: Trinità dei Pellegrini]

On Wednesday-afternoon, the Cardinal great Penitentiary goes in state
to S. Mary Major's, where the minor Penitentiaries are Dominicans.
For an account of this custom see the preceding chapter. On Wednesday,
Thursday and Friday evenings, Christians may be edified at the Trinità
dei Pellegrini[54] by the sight of Cardinals, princes, prelates and
others, washing in good earnest, and afterwards kissing the feet of
poor pilgrims, while they recite with them the Our Father, Hail Mary,
Glory be to the Father, and other beautiful prayers, such as;

_Gesù, Giuseppe, Maria,_
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