Nocturne by Frank Swinnerton
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page 17 of 195 (08%)
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command admiration. The resemblance between the sisters was ordinarily
not noticeable. It would have needed a photograph--because photographs, besides flattening the features, also in some manner "compose" and distinguish them--to reveal the likenesses in shape, in shadow, even in outline, which were momentarily obscured by the natural differences of colouring and expression. Emmy was less dark, more temperamentally unadventurous, stouter, and possessed of more colour. She was twenty-eight or possibly twenty-nine, and her mouth was rather too hard for pleasantness. It was not peevish, but the lips were set as though she had endured much. Her eyes, also, were hard; although if she cried one saw her face soften remarkably into the semblance of that of a little girl. From an involuntary defiance her expression changed to something really pathetic. One could not help loving her then, not with the free give and take of happy affection, but with a shamed hope that nobody could read the conflict of sympathy and contempt which made one's love frigid and self-conscious. Jenny rarely cried: her cheeks reddened and her eyes grew full of tears; but she did not cry. Her tongue was too ready and her brain too quick for that. Also, she kept her temper from flooding over into the self-abandonment of angry weeping and vituperation. Perhaps it was that she had too much pride--or that in general she saw life with too much self-complacency, or that she was not in the habit of yielding to disappointment. It may have been that Jenny belonged to that class of persons who are called, self-sufficient. She plunged through a crisis with her own zest, meeting attack with counter-attack, keeping her head, surveying with the instinctive irreverence and self-protective wariness of the London urchin the possibilities and swaying fortunes of the fight. Emmy, so much slower, so much less self-reliant, had no refuge but in scolding that grew shriller and more shrill until it ended in violent weeping, a withdrawal from the field entirely abject. She was not a born fighter. She was |
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