Scientific American Supplement, No. 841, February 13, 1892 by Various
page 18 of 162 (11%)
page 18 of 162 (11%)
|
were sometimes enlivened by the presence of a companion who excelled
in humorous mimicry. He would represent a man in liquor who had stopped at a fountain that flowed with a gentle sound, somewhat like that of his own hiccough. A single oath, pronounced in different tones, was sufficient to enable us to comprehend all the impressions, all the states of mind through which this devotee of Bacchus passed. The oath, at first pronounced slowly and with an accent expressing relief, represented a feeling of satisfaction, with shadings of prolonged exclamation which it would be hard for one to imagine without suggestion. The continued flowing of the fountain made our drunken man impatient, and he wanted it to stop. This state of mind was translated by a new modulation of the same word. In a little while the gurgling of the fountain produced astonishment. Was it possible that he, with all the liquid he had imbibed, could vomit so much and for so long a time? This mental condition was expressed by a new modulation of the same oath. The first movement of surprise over, resignation follows, and our man decides to wait patiently for the end. A period of half lethargy was easily represented by the slowness and weakness of the man's voice while living up to this decision; but when he comes out of this sleepy condition and hears the fountain again, he is possessed with fear; he cannot understand the flood he is pouring out--he dares not move--he believes he is lost. Gradually the fumes of the liquor pass away, and, his mistake being recognized, the drunkard is taken with a laughing and a gayety which are indicated by the same oath repeated in tones corresponding with the satisfaction he is then enjoying. This making the series of impressions a man passes through comprehensible by a single word, varied in pronunciation and utterance, is very like the language of animals, which is always the same, and the significance of which is given by variety of intonations corresponding with sensational conditions. |
|