Mathilda by Mary Wollstonecraft Shelley
page 30 of 154 (19%)
page 30 of 154 (19%)
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but I quickly dried my tears. As I grew older books in some degree
supplied the place of human intercourse: the library of my aunt was very small; Shakespear, Milton, Pope and Cowper were the strangley [_sic_] assorted poets of her collection; and among the prose authors a translation of Livy and Rollin's ancient history were my chief favourites although as I emerged from childhood I found others highly interesting which I had before neglected as dull. When I was twelve years old it occurred to my aunt that I ought to learn music; she herself played upon the harp. It was with great hesitation that she persuaded herself to undertake my instruction; yet believing this accomplishment a necessary part of my education, and balancing the evils of this measure or of having some one in the house to instruct me she submitted to the inconvenience. A harp was sent for that my playing might not interfere with hers, and I began: she found me a docile and when I had conquered the first rudiments a very apt scholar. I had acquired in my harp a companion in rainy days; a sweet soother of my feelings when any untoward accident ruffled them: I often addressed it as my only friend; I could pour forth to it my hopes and loves, and I fancied that its sweet accents answered me. I have now mentioned all my studies. I was a solitary being, and from my infant years, ever since my dear nurse left me, I had been a dreamer. I brought Rosalind and Miranda and the lady of Comus to life to be my companions, or on my isle acted over their parts imagining myself to be in their situations. Then I wandered from the fancies of others and formed affections and intimacies with the aerial creations of my own brain--but still clinging to reality I gave a name to these conceptions and nursed them in the hope of realization. I clung to the memory of my parents; my |
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