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Mathilda by Mary Wollstonecraft Shelley
page 30 of 154 (19%)
but I quickly dried my tears. As I grew older books in some degree
supplied the place of human intercourse: the library of my aunt was
very small; Shakespear, Milton, Pope and Cowper were the strangley
[_sic_] assorted poets of her collection; and among the prose authors
a translation of Livy and Rollin's ancient history were my chief
favourites although as I emerged from childhood I found others highly
interesting which I had before neglected as dull.

When I was twelve years old it occurred to my aunt that I ought to
learn music; she herself played upon the harp. It was with great
hesitation that she persuaded herself to undertake my instruction; yet
believing this accomplishment a necessary part of my education, and
balancing the evils of this measure or of having some one in the house
to instruct me she submitted to the inconvenience. A harp was sent for
that my playing might not interfere with hers, and I began: she found
me a docile and when I had conquered the first rudiments a very apt
scholar. I had acquired in my harp a companion in rainy days; a sweet
soother of my feelings when any untoward accident ruffled them: I
often addressed it as my only friend; I could pour forth to it my
hopes and loves, and I fancied that its sweet accents answered me. I
have now mentioned all my studies.

I was a solitary being, and from my infant years, ever since my dear
nurse left me, I had been a dreamer. I brought Rosalind and Miranda
and the lady of Comus to life to be my companions, or on my isle acted
over their parts imagining myself to be in their situations. Then I
wandered from the fancies of others and formed affections and
intimacies with the aerial creations of my own brain--but still
clinging to reality I gave a name to these conceptions and nursed them
in the hope of realization. I clung to the memory of my parents; my
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