Of forests and enchantments drear,
_Where more is meant than meets the ear_."

That the allegory of the poem is closely connected with its aim and ethical
tendency is evident from the statement of the author that "the generall end
therefore of all the booke is to fashion a gentleman or noble person in
vertuous and gentle discipline. Which for that I conceived should be most
plausible and pleasing, being coloured with an historical fiction, the
which the most part of men delight to read, rather for varietie of matter
then for profite of the ensample." The _Faerie Queene_ is, therefore,
according to the avowed purpose of its author, a poem of culture. Though it
is one of the most highly artistic works in the language, it is at the same
time one of the most didactic. "It professes," says Mr. Church, "to be a
veiled exposition of moral philosophy."

The allegory is threefold,--moral, religious, and personal.

(a) _Moral Allegory._--The characters all represent various virtues and
vices, whose intrigues and warfare against each other symbolize the
struggle of the human soul after perfection. The Redcross Knight, for
example, personifies the single private virtue of holiness, while Prince
Arthur stands for that perfect manhood which combines all the moral
qualities; Una represents abstract truth, while Gloriana symbolizes the
union of all the virtues in perfect womanhood.

(b) _Religious or Spiritual Allegory._--Under this interpretation the
Redcross Knight is a personification of Protestant England, or the church
militant, while Una represents the true religion of the Reformed Church. On
the other hand, Archimago symbolizes the deceptions of the Jesuits and
Duessa the false Church of Rome masquerading as true religion.