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Spenser's The Faerie Queene, Book I by Edmund Spenser
page 28 of 380 (07%)
delightfull and pleasing to common sense. For this cause is Xenophon
preferred before Plato, for that the one, in the exquisite depth of his
judgement, formed a Commune-wealth, such as it should be; but the other, in
the person of Cyrus and the Persians, fashioned a government, such as might
best be: So much more profitable and gracious is doctrine by ensample then
by rule. So have I laboured to do in the person of Arthure: whom I
conceive, after his long education by Timon (to whom he was by Merlin
delivered to be brought up, so soone as he was borne of the Lady Igrayne)
to have seen in a dreame or vision the Faerie Queene, with whose excellent
beautie ravished, hee awaking, resolved to seek her out: and so, being by
Merlin armed, and by Timon throughly instructed, he went to seeke her forth
in Faery land. In that Faery Queene I mean _Glory_ in my generall
intention: but in my particular I conceive the most excellent and glorious
person of our soveraine the Queene, and her kingdome in Faery land. And
yet, in some places else, I doe otherwise shadow her. For considering shee
beareth two persons, the one of a most royall Queene or Empresse, the other
of a most vertuous and beautifull lady, this latter part in some places I
doe expresse in Belphoebe, fashioning her name according to your owne
excellent conceipt of Cynthia,[2] (Phoebe and Cynthia being both names of
Diana). So in the person of Prince Arthure I sette forth magnificence in
particular, which vertue, for that (according to Aristotle and the rest) it
is the perfection of all the rest, and containeth in it them all, therefore
in the whole course I mention the deeds of Arthure appliable to the vertue,
which I write of in that booke. But of the twelve other vertues I make XII
other knights the patrons, for the more varietie of the historic: Of which
these three bookes containe three. The first, of the Knight of the Red
crosse, in whom I expresse Holinesse: the second of Sir Guyon, in whome I
set foorth Temperance: the third of Britomartis, a Lady knight, in whom I
picture Chastitie. But because the beginning of the whole worke seemeth
abrupt and as depending upon other antecedents, it needs that yee know the
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