Why the Chimes Rang: A Play in One Act by Elizabeth Apthorp McFadden
page 24 of 62 (38%)
page 24 of 62 (38%)
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fades as the_ PRIEST _turns and blesses her. She rises trying to
hide her chagrin in a look of great hauteur, crosses to the right and stands near the man in black and gold with whom she exchanges disdainful smiles over the next arrival._) (_An old white haired man clad in a scholar's robes totters on, bearing with difficulty a large vellum bound book. The_ PRIEST _takes a step forward to relieve the Old Man of his burden, and as he goes up the altar steps the Sage sinks exhausted to his knees, listening with straining senses for the bells.--They do not ring. The_ PRIEST _blesses the old man and helps him to rise. He turns back and stands near the_ COURTIER _at the left._) (_A lovely young girl enters, dressed in pale green satin, her arms filled with a sheaf of white lilies. The very way she carries them and bends her head to catch their fragrance shows that to her they are the most beautiful things in the world. Kneeling she gives them into the hands of the_ PRIEST, _and as he offers them, she listens with childish confidence for the ringing of the bells.--Still there is no sound save the organ music and the singing of the choir, subdued almost to a breath as the gifts are offered. Abashed as the_ PRIEST _blesses and dismisses her, the young girl steps back and stands near the old Sage._) (_There is a stir in the chancel, even the_ PRIEST _turning to watch. The_ KING _enters. He is a man of forty with tall distinguished figure and a proud face. His purple robes, richly jeweled, trail far behind him and on his head he wears his crown. Everyone leans forward watching with the greatest tension. The_ KING, _exalted with his mood of selfsacrifice kneels, removes his |
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