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Why the Chimes Rang: A Play in One Act by Elizabeth Apthorp McFadden
page 31 of 62 (50%)
are to be used, and proportionately wide.--The framework should be
braced by cross pieces in the middle of each leaf, and should have stout
leather handles nailed to them for convenience in lifting the screen.
The right side should be covered with canvas such as is used for
scenery, and the screens can then be easily repainted or recovered for
later plays.

If it is not possible to have the screens made to order, ordinary
Japanese screens may be borrowed or rented, and made to serve as front
curtain, and framework for scenery.

Those indicated in the plan as A A and B B serve as the front curtains,
the center sections (marked B B) being drawn aside by persons stationed
behind them to show the interior of the hut when the play begins. The
four screens marked C D and E E form the walls of the hut. In using
screens it will be necessary to do without the window and the actual
door unless the person in charge of the scenery is clever enough to
paint in a window on one panel of the screen and make a door in another.
If not, turn the end panel of the screen marked C to run at right angles
with the other part, giving the impression of a passage with an imagined
door at the unseen end, and wherever in the business of the parts, the
children are said to look out of the window, let them instead look down
this passage, as though they were looking through the open doorway.

On the right side of the room in the screen marked D, a fire-place may
be constructed by cutting away a portion of the screen to suggest the
line of the fire-place, putting back of this opening a box painted black
inside to represent the blackened chimney, and finishing with a rough
mantel stained brown to match the wall tint. Of course if the screens
are borrowed the fire-place will have to be dispensed with.
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