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A Full Enquiry into the Nature of the Pastoral (1717) by Thomas Purney
page 55 of 105 (52%)
The second Sort is, where there is the Addition of the Scene; as suppose
we give the Picture of the fair Shepherdess, sitting on the Banks of a
pleasant streamlet.

The third, and finest kind of Beautiful Images is, where the Picture
contain's a still further Addition of action. As, the Image of a fair
Shepherdess, on the Banks of a pleasant Stream asleep, and her innocent
Lover harmlessly smoothing her Cloaths as flutter'd by the Wind. And the
most beautiful Image in Phillips, or I think any Pastoral-Writer, is of
this Nature.

_Once_ Delia _lay, on easy Moss reclin'd;
Her lovely Limbs half bare, and rude the Wind.
I smooth'd her Coats, and stole a silent Kiss;
Condemn me, Shepherds, if I did amiss_.

_Past_. 5.

The last Line contains a Pastoral Thought, of the best Sort; as the
three first a Pastoral Image.

The middle of this last Pastoral is full of beautiful Images, and has
therefore proved so Entertaining to all Readers, that I wonder Mr.
Phillips would not give us the Beautiful in his four first Pieces also.

Of all the Persons who have written in the English Language, no one ever
had a Mind so well form'd by Nature for Pleasurable Writing, as Spencer.
Yet as he wrote his Pastorals when very Young, this does not appear so
much from them, as from his Fairy Queen; thro' which, (like Ovid, in his
Metamorphoses) he has perpetually recourse to Pastoral. Especially in
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