obliged to make certain offerings to the Imperial House on the day
of the festival. The character of these offerings, and the manner of
their presentation, were fixed by decree. They were conveyed to the
palace upon a tray, by a veiled lady of rank, in ceremonial dress.
Above her, as she walked, a great red umbrella was borne by an
attendant. On the tray were placed seven _tanzaku_ (longilateral
slips of fine tinted paper for the writing of poems); seven
_kudzu_-leaves;[6] seven inkstones; seven strings of _s[=o]men_
(a kind of vermicelli); fourteen writing-brushes; and a bunch of
yam-leaves gathered at night, and thickly sprinkled with dew. In the
palace grounds the ceremony began at the Hour of the Tiger,--4 A.M.
Then the inkstones were carefully washed,--prior to preparing the ink
for the writing of poems in praise of the Star-deities,--and each one
set upon a _kudzu_-leaf. One bunch of bedewed yam-leaves was then
laid upon every inkstone; and with this dew, instead of water, the
writing-ink was prepared. All the ceremonies appear to have been
copied from those in vogue at the Chinese court in the time of the
Emperor Ming-Hwang.

[Footnote 6: _Pueraria Thunbergiana._]

* * * * *

It was not until the time of the Tokugawa Sh[=o]gunate that the
Tanabata festival became really a national holiday; and the popular
custom of attaching _tansaku_ of different colors to freshly-cut
bamboos, in celebration of the occasion, dates only from the era
of Bunser (1818). Previously the _tanzaku_ had been made of a very
costly quality of paper; and the old aristocratic ceremonies had been
not less expensive than elaborate. But in the time of the Tokugawa