Wooden Columns.--Books on Water-color Painting. 30

NOTES AND CLIPPINGS. 31

TRADE SURVEYS. 32

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We wonder whether every one who receives these first issues of the
International Edition of the _American Architect_ comprehends the
significance of the step which we, with the kind support and
appreciation of our subscribers, have ventured to take. How many of
those who turn over our pages realize that this is by far the most
ambitious and costly architectural periodical in the world, and that it
has been reserved for America to try to present every week, with a due
proportion of the more valuable models from the past, an adequate view
of all the best architecture which modern civilization can show?
Strangely enough, in carrying out our plan of representing contemporary
architecture as it should be represented, it is to Americans that we
must most earnestly and urgently appeal for cooperation. We know where
we can get drawings, plans, photographs, descriptions and details of all
the best current work in North and South Germany, Italy, France and
England, and even in Russia, but to secure anything like a decent
representation of modern American architecture has hitherto been,
according to our experience, absolutely impossible. Not long ago a
discussion took place in England about architectural periodicals, and
one or two of the American journals were mentioned with commendation, on
account of the beautiful drawing and process-work in their
illustrations, as well as the value of their text. Not long afterwards,
a disparaging commentary on this discussion was made in one of the