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Madame Chrysantheme by Pierre Loti
page 113 of 199 (56%)
a _godoun_. On rare occasions, only to honor some visitor of
distinction, do they open this impenetrable depositary. The true
Japanese manner of understanding luxury consists in a scrupulous and
indeed almost excessive cleanliness, white mats and white woodwork;
an appearance of extreme simplicity, and an incredible nicety in the
most infinitesimal details.

My mother-in-law seems to be really a very nice woman, and were it not
for the insurmountable feeling of spleen the sight of her garden
produces on me, I would often go and see her. She has nothing in
common with the mammas of Jonquille, Campanule or Touki: she is vastly
their superior; and then I can see that she has been very good-looking
and stylish. Her past life puzzles me; but in my position as a
son-in-law, good manners prevent my making further inquiries.

Some assert that she was formerly a celebrated guécha in Yeddo, who
lost public favor by her folly in becoming a mother. This would
account for her daughter's talent on the guitar; she had probably
herself taught her the touch and style of the Conservatory.

Since the birth of Chrysanthème (her eldest child and first cause of
this loss of favor), my mother-in-law, an expansive although
distinguished nature, has fallen seven times into the same fatal
error, and I have two little sisters-in-law: Mdlle. La Neige,[G] and
Mdlle. La Lune,[H] as well as five little brothers-in-law: Cerisier,
Pigeon, Liseron, Or, and Bambou.

[Footnote G: In Japanese: _Oyouki-San_ (like Madame Prune's
daughter).]

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