Madame Chrysantheme by Pierre Loti
page 139 of 199 (69%)
page 139 of 199 (69%)
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good style to place on the summit of the head, lightly poised,
scarcely stuck at all in the air, with all the teeth showing. Taking it out of a pretty little lacquered box, she held it up in the air and blinked her eyes, looking through it at the sky--a bright summer sky--as one does to examine the quality of a precious stone. "Here is," she said, "an object of great value that you should offer to your little wife." My mousmé, very much taken by it, admired the clearness of the comb and its graceful shape. The lacquered box, however, pleased me most. On the cover was a wonderful painting in gold on gold, representing a field of rice, seen very close, on a windy day: a tangle of ears and grass beaten down and twisted by a terrible squall; here and there, between the distorted stalks, the muddy earth of the rice-swamp was visible; there were even little pools of water, produced by bits of the transparent lacquer on which tiny particles of gold seemed to float about like chaff in a thick liquid; two or three insects, which required a microscope to be well seen, were clinging in a terrified manner to the rushes, and the whole picture was no larger than a woman's hand. As for Madame Prune's comb, I confess it left me indifferent, and I turned a deaf ear, thinking it very insignificant and expensive. Then Chrysanthème answered mournfully: "No, thank you, I don't want it; take it away, dear Madame Prune." And at the same time she heaved a deep sigh, full of meaning, which |
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