stake, for the cross.

But because she made herself poor in apparel, she became most rich in
her humanity. There was nothing for the eye to rest upon but her bare
self. And thus the contours of the head, the beauty of the hair, the
line of it along the forehead and temples, the curvature of the brows,
the chiseling of the proud nostrils and the high bridge of the nose, the
molding of the mouth, the modeling of the throat, the shaping of the
shoulders, the grace of the arms and the hands--all became conspicuous,
absorbing. The slightest elements of physique and of personality came
into view powerful, unforgetable.

She stood, not noticing anything, waiting for instructions. With the
courtesy which was the soul of him and the secret of his genius for
inspiring others to do their utmost, the master of the class glanced at
her and glanced at the members of the class, and tried to draw them
together with a mere smile of sympathetic introduction. It was an
attempt to break the ice. For them it did break the ice; all responded
with a smile for her or with other play of the features that meant
gracious recognition. With her the ice remained unbroken; she withheld
all response to their courteous overtures. Either she may not have
trusted herself to respond; or waiting there merely as a model, she
declined to establish any other understanding with them whatsoever. So
that he went further in the kindness of his intention and said:

"Madam, this is my class of eager, warm, generous young natures who are
to have the opportunity of trying to paint you. They are mere beginners;
their art is still unformed. But you may believe that they will put
their best into what they are about to undertake; the loyalty of the
hand, the respect of the eye, the tenderness of their memories,