mondo messi a aspettare la guerra del papa e imperadore, senza
speranza di alcuno soccorso di altri, disuniti e con mille
difficultà, hanno sostenuto in quelle mura già sette mesi gli e
serciti, e quali non sì sarebbe creduto che avessino sostenuti sette
dì; e condotto le cose in luogo che se vincessino, nessuno più se ne
maraviglierebbe, dove prima da tutti erano giudicati perduti; e
questa ostinazione ha causata in gran parte la fede di non potere
perire, secondo le predicazioni di Fra Jeronimo da Ferrara.'

[2] See above, p. 238, for what Giannotti says of the heroic
Ferrucci.

The part played by Filippo Strozzi in this last drama of the liberties
of Florence is feeble and discreditable, but at the same time
historically instructive, since it shows to what a point the noblest of
the Florentines had fallen. All Pitti's invectives against the
Ottimati, bitter as they may be, are justified by the unvarnished
narrative we read upon the pages of Varchi and Segni concerning this
most vicious, selfish, vain, and brilliant hero of historical romance.
Married to Clarice de' Medici, by whom he had a splendid family of
handsome and vigorous sons, he was more than the rival of his wife's
princely relatives by his wealth. Yet though he made a profession of
patriotism, Filippo failed to use this great influence consistently as a
counterpoise to the Medicean authority. It was he, for instance, who
advised Lorenzo the younger to make himself Duke of Florence.
Distinguished, as he was, above all men of his time for wit, urbanity,
accomplishments, and splendid living, his want of character neutralized
these radiant gifts of nature. His private morals were infamous. He
encouraged by precept and example the worst vices of his age and nation,
consorting with young men whom he instructed in the arts of dissolute