Renaissance in Italy, Volume 1 (of 7) - The Age of the Despots by John Addington Symonds
page 44 of 583 (07%)
page 44 of 583 (07%)
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one of discord rather than of harmony within the boundaries of the
peninsula. If we take the Empire as our standing-ground, we have to write the annals of a sustained struggle, in the course of which the Italian cities were successful, when they reduced the Emperor to the condition of an absentee with merely nominal privileges. After Frederick II. the Empire played no important part in Italy until its rights were reasserted by Charles V. upon the platform of modern politics. A power so external to the true life of the nation, so successfully resisted, so impotent to control the development of the Italians, cannot be chosen as the central point of their history. If we elect the Republics, we are met with another class of difficulties. The historian who makes the Commune his unit, who confines attention to the gradual development, reciprocal animosities, and final decadence of the republics, can hardly do justice to the Kingdom of the Two Sicilies and the Papacy, which occupy no less than half the country. Again, the great age of the Renaissance, when all the free burghs accepted the rule of despots, and when the genius of the Italians culminated, is for him a period of downfall and degradation. Besides, he leaves the history of the Italian people before the starting-point of the Republics unexplained. He has, at the close of their career, to account for the reason why these Communes, so powerful in self-development, so intelligent, so wealthy, and so capable of playing off the Pope against the Empire, failed to maintain their independence. In other words he selects one phase of Italian evolution, and writes a narrative that cannot but be partial. If we make the Despots our main point, we repeat the same error in a worse form. The Despotisms imply the Communes as their predecessors. Each and all of them grew up and flourished on the soil of decadent or tired Republics. Though they are all-important at one period of Italian history--the period of the present work--they do but form an episode in the great epic of the nation. He who attempts a general history of Italy |
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