The First Soprano by Mary Hitchcock
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page 5 of 197 (02%)
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stranger was to speak. He was just a trifle surprising in appearance,
for his coat had no ministerial cut, and was even a bit more suggestive of business than of the profession of divinity. But he was soon forgiven this; for his voice was even and pleasant, and he looked at his congregation with a pair of frank blue eyes, while he spoke with the simplicity of a man who has somewhat to say to his fellowmen and says it honestly. His text excited no curiosity, for it was this: "_The hour cometh, and now is, when the true worshipers shall worship the Father in spirit and in truth_." In the choir Miss Winifred Gray had composed herself to listen. Fortunately she was at the rear of her admiring hearers and had not to confront their faces as she sat down. She had enjoyed her part exceedingly. She loved her music, and the greater its pathos the keener her enjoyment in rendering it. There was a subtle sense of power, too, which she did not analyze, in moving a whole congregation to admiration and sympathy. With her whole heart she had entered into her musical work, in which the church divided attention with the drawing-room and an occasional concert. She sat now in pleased triumph and had no ears for the opening words of the young man's sermon. But it dawned upon her gradually that he was speaking from the words, "in spirit and in truth." He spoke of the former worship which dealt with externals of place and method--with "carnal ordinances imposed until a time of reformation"; and then of a new era of worship which Christ had brought in, wherein true worshipers draw nigh to God, not with sensuous offerings, but "in spirit and in truth." Winifred could not follow all that he said, for it seemed a new and strange language for the most part, but she gathered this: that somehow Christ had opened the way for all believers into the very spiritual |
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