whole, to a dream composition. The dream gets a kind of façade which, it
is true, does not conceal the whole of its content. There is a sort of
preliminary explanation to be strengthened by interpolations and slight
alterations. Such elaboration of the dream content must not be too
pronounced; the misconception of the dream thoughts to which it gives
rise is merely superficial, and our first piece of work in analyzing a
dream is to get rid of these early attempts at interpretation.

The motives for this part of the dream work are easily gauged. This
final elaboration of the dream is due to a _regard for
intelligibility_--a fact at once betraying the origin of an action which
behaves towards the actual dream content just as our normal psychical
action behaves towards some proffered perception that is to our liking.
The dream content is thus secured under the pretense of certain
expectations, is perceptually classified by the supposition of its
intelligibility, thereby risking its falsification, whilst, in fact, the
most extraordinary misconceptions arise if the dream can be correlated
with nothing familiar. Every one is aware that we are unable to look at
any series of unfamiliar signs, or to listen to a discussion of unknown
words, without at once making perpetual changes through _our regard for
intelligibility_, through our falling back upon what is familiar.

We can call those dreams _properly made up_ which are the result of an
elaboration in every way analogous to the psychical action of our waking
life. In other dreams there is no such action; not even an attempt is
made to bring about order and meaning. We regard the dream as "quite
mad," because on awaking it is with this last-named part of the dream
work, the dream elaboration, that we identify ourselves. So far,
however, as our analysis is concerned, the dream, which resembles a
medley of disconnected fragments, is of as much value as the one with a