In a Green Shade - A Country Commentary by Maurice Hewlett
page 4 of 174 (02%)
page 4 of 174 (02%)
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seed-plots it is impossible that one's thoughts should not take colour
as they rise. Whithersoever I look I see as much permanency as is good for any sojourner upon earth; I see embodied tradition, respect for Nature's laws, attention to beauty, subservience to use; all this within doors. Outside, the trees, the flowers are my calendar; the birds chime the hours; periodically the church-bell calls the travellers home. Between all these friendly monitors it is hard if one cannot keep the mean. If the passing-bell tempts me to moralise overmuch I may turn to the creatures, and learn to live for the moment. I should be slow to confess how much worldly wisdom I have won from what we choose to call the lower orders of creation, because nobody willingly betrays the whereabouts of his buried treasure, or the amount of it. Mr. Pepys, I remember, forgot both on a certain occasion, and had a devil of a time until he recovered his hoard. But my wealth was not made with hands, or not with my hands. My house is fortunately placed, too, in the village street, so that I am in touch with my neighbours and their daily concerns, which I make mine so far as they are pleased to allow it. I am aware of them all day long by half a hundred signs; I know the trot of their horses, the horns of their motor-cars--that shows that there are not too many of them--the voices of their children, the death-shrieks of their pigs, the barking of their dogs. Not a day passes but one or other is in, to have some paper signed, to air a grievance, or to ask advice. The vicar and the minister are my good friends, and, I am glad to say, each other's. The farmers understand my ways (it is as much as I can expect of them), and the labourers like them. All this keeps the pores of the mind open; you cannot stagnate if you are useful to other people. Nor--unless you are a fool--can you be strict with your categories. The more you know of men and systems the more overlapping |
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