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Punch, or the London Charivari, Volume 152, May 23, 1917 by Various
page 20 of 52 (38%)

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THE LAW COURTS THEATRE.

"ROMNEY'S RUM 'UN."

London was probably never richer in comic actors than at the present
moment, for not only is W.H. BERRY at the Adelphi, LESLIE HENSON at
the Gaiety, ARTHUR ROBERTS at the Oxford singing his old songs, and
ROBERT HALE and GEORGE ROBEY twice daily elsewhere, but in the Law
Courts Playhouse CHARLES DARLING has been lately at his very best.
Dropping in there last week, during the performance of a new
farce, entitled _Romney's Rum 'Un_, I was again fascinated by the
inexhaustible wit and allusive badinage of this great little comedian,
beside whose ready gagging GEORGE GRAVES himself is inarticulate. Had
not GEORGE ROBEY invented for application to himself the descriptive
phrase, "The Prime Minister of Mirth," it should be at once affixed to
the Law Courts' fun-maker; but, since it is too late to use that, let
us think of him as "The Chancellor of the Exchequer of Mirth."

CHARLES DARLING'S success is the more remarkable because he keeps so
still. He sits in his chair as steadily as another of his outdistanced
rivals, SAM MAYO ("The Immobile Comedian," as he is called), remains
standing. He has few gestures; he rarely, if ever, sings, and I have
never seen him dance; and yet the way in which he "gets over" is
astonishing. "Laughter holding both his sides" is the most constant
attendant of this theatre.

What is the secret? Well, first and foremost it is of course to be
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