to further our noblest war charity), his name is familiar to every
violinist. For is not Mr. Nachéz the composer of the "Gypsy Dances" for
violin and piano, which have made him famous?

Genuinely musical, effective and largely successful as they have been,
however, as any one who has played them can testify, the composer of
the "Gypsy Dances" regards them with mixed feelings. "I have done other
work that seems to me, relatively, much more important," said Mr.
Nachéz, "but when my name happens to be mentioned, echo always answers
'Gypsy Dances,' my little rubbishy 'Gypsy Dances!' It is not quite fair.
I have published thirty-five works, among them a 'Requiem Mass,' an
orchestral overture, two violin concertos, three rhapsodies for violin
and orchestra, variations on a Swiss theme, Romances, a Polonaise
(dedicated to Ysaye), and Evening Song, three _Poèmes hongrois_, twelve
classical masterworks of the 17th century--to say nothing of songs,
etc.--and the two concertos of Vivaldi and Nardini which I have edited,
practically new creations, owing to the addition of the piano
accompaniments and orchestral score. I wrote the 'Gypsy Dances' as a
mere boy when I was studying with H. Léonard in Paris, and really at his
suggestion. In one of my lessons I played Sarasate's 'Spanish Dances,'
which chanced to be published at the time, and at once made a great hit.
So Léonard said to me: 'Why not write some _Hungarian_ Gypsy
dances--there must be wonderful material at hand in the music of the
_Tziganes_ of Hungary. You should do something with it!' I took him at
his word, and he liked my 'Dances' so well that he made me play them at
his musical evenings, which he gave often during the winter, and which
were always attended by the musical _Tout Paris!_ I may say that during
these last thirty years there has been scarcely a violinist before the
public who at one time or the other has _not_ played these 'Gypsy
Dances.' Besides the _original_ edition, there are two (pirated!)