PROGRAMS

"In making up a recital program I try to arrange it so that the first
half, approximately, may appeal to the more specifically musical part of
my audience, and to the critics. In the second half I endeavor to
remember the general public; at the same time being careful to include
nothing which is not really _musical_. This (Mr. Brown found one of his
recent programs on his desk and handed it to me) represents a logical
compromise between the strictly artistic and the more general taste:"


PROGRAM

I. Beethoven . . . . . Sonata Op. 47 (dedicated to Kreutzer)

II. Bruch . . . . . . Concerto (G minor)

III. (a) Beethoven . . . . Romance (in G major)
(b) Beethoven-Auer . . Chorus of the Dervishes
(c) Brown . . . . . Rondino (on a Cramer theme)
(d) Arbos . . . . . Tango

IV. (a) Kreisler . . . . La Gitana
(Arabo-Spanish Gipsy Dance of the 18th Century)
(b) Cui . . . . . . Orientale
(c) Bazzini. . . . . La Ronde des Lutins