brilliant that their tone is too piercing. Then, too, I find that the
use of a wire E reduces the volume of tone of the other strings. No
wire string has the quality of a fine gut string; and I regard them only
as a substitute in the case of some people, and a convenience for lazy
ones.


VIOLIN MASTERY

"Violin Mastery? Off-hand I might say the phrase stands for a life-time
of effort with its highest aims unattained. As I see it the achievement
of violin mastery represents a combination of 90 per cent. of toil and
10 per cent. of talent or inspiration. Goetschius, with whom I studied
composition, once said to me: 'I do not congratulate you on having
talent. That is a gift. But I do congratulate you on being able to work
hard!' The same thing applies to the fiddle. It seems to me that only by
keeping everlastingly at it can one become a master of the instrument."




VI


ARTHUR HARTMANN

THE PROBLEM OF TECHNIC


Arthur Hartmann is distinctly and unmistakably a personality. He stands