however, soon offered more attractions to Mainzer than his native
place, and thither he repaired and pitched his tent for ten years.
During this period, he established his reputation as a composer of
dramatic, sacred, and domestic music, and as an acute and elegant
writer and critic. His opera of _La Jacquerie_ had a run of seventeen
nights consecutively at the theatre. He was soon welcomed into the
literary and artistic circles of Paris; and one evening, at an elegant
_réunion_, being invited to play, he _improvised_ a piece, which was
taken for a composition of Palestrina's. Many were moved to tears, one
pair of pre-eminently bright eyes especially; and the consequence was,
that the composer and the bright eyes were soon after united in
marriage!

But amid these captivating _salons_ and congenial occupations, what
had become of the apostle of popular music? He was not asleep; only
digesting and preparing a system which should, by its simplicity and
clearness, bring scientific music within the reach of the humblest as
well as the highest classes of society. At last it was matured, and
the working-classes were invited to come and test it--gratuitously of
course. A few accepted the invitation; but their success and delight
in the new art thus opened up to them, was so great, that the 'two or
three' pioneers soon swelled into an army of 3000 _ouvriers_! But a
band of 3000 workmen in Paris was considered dangerous: it could not
be credited that they met merely for social improvement and
relaxation; some political design must surely lurk under it:
government was alarmed, the police threatened; and it was left to
Mainzer's choice either to remain in Paris without his artisan
classes, or to seek elsewhere a field for his popular labours. He
decided at once on the latter alternative, and departed for England,
amidst the heartfelt regrets of those whom he had attached so strongly