inspect his friend's normal classes. He was so much delighted with
them, and considered Dr Mainzer so little appreciated by the general
public, that he persuaded him to try Manchester as his future field of
exertion.

In the autumn of 1848, accordingly, Neukomm introduced Mainzer to the
leading men of that city, who received him so cordially, that he at
once took his proper position, and entered on a career both useful and
profitable, and which continued to be increasingly successful, until
at Christmas 1850, he was laid aside by ill-health. Over-exertion had
brought on a complication of diseases, to which he was a martyr for
ten months, and which terminated fatally on the 10th November 1851.
During that long period of intense suffering, his active mind was
never clouded nor repining, and at every interval of comparative ease,
he read or listened to reading with avidity. During the first months
of his illness, he superintended the publication of a new musical
work, called _The Orpheon_, two numbers of which appeared; and his
last exertion in this way was arranging two songs: _The Sigh_ of
Charles Swain, and Longfellow's _Footsteps of Angels_, adapted to
Weber's last song. Prophetic requiems both!

A few weeks after his death, the hall which had been built in
Edinburgh for the classes of the Association which he founded, was
opened by an amateur concert given as a tribute to his memory. He had
promised to preside on this occasion; but his place was filled by his
aged, but still vigorous friend, the Chevalier Neukomm, who had come
to Edinburgh, at the request of the Association, to compose a series
of psalms, one of which was sung by the pupils. Music for the Psalms,
_adapted to the varying meaning of each verse_, has hitherto been a
desideratum in the musical world; now being supplied in Chevalier