his eyes turned to the Celimene in her splendor; he glanced furtively
at her every moment; the longer he looked, the more he desired to look
at her. Mme. de Bargeton caught the gleam in Lucien's eyes, and saw
that he found the Marquise more interesting than the opera. If Lucien
had forsaken her for the fifty daughters of Danaus, she could have
borne his desertion with equanimity; but another glance--bolder, more
ardent and unmistakable than any before--revealed the state of
Lucien's feelings. She grew jealous, but not so much for the future as
for the past.

"He never gave me such a look," she thought. "Dear me! Chatelet was
right!"

Then she saw that she had made a mistake; and when a woman once begins
to repent of her weaknesses, she sponges out the whole past. Every one
of Lucien's glances roused her indignation, but to all outward
appearance she was calm. De Marsay came back in the interval, bringing
M. de Listomere with him; and that serious person and the young
coxcomb soon informed the Marquise that the wedding guest in his
holiday suit, whom she had the bad luck to have in her box, had as
much right to the appellation of Rubempre as a Jew to a baptismal
name. Lucien's father was an apothecary named Chardon. M. de
Rastignac, who knew all about Angouleme, had set several boxes
laughing already at the mummy whom the Marquise styled her cousin, and
at the Marquise's forethought in having an apothecary at hand to
sustain an artificial life with drugs. In short, de Marsay brought a
selection from the thousand-and-one jokes made by Parisians on the
spur of the moment, and no sooner uttered than forgotten. Chatelet was
at the back of it all, and the real author of this Punic faith.