Rough Stone Monuments and Their Builders by T. Eric (Thomas Eric) Peet
page 58 of 151 (38%)
page 58 of 151 (38%)
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On the pilasters is incised a pattern of circles and V-shaped signs. A
somewhat similar arrangement of pilasters is seen in two rock-tombs at Cava Lavinaro in the same district. This work forcibly recalls the work of the megalithic builders in the hypogeum of Halsaflieni in Malta (see Chap. VII), and on the façades of the Giants' Tombs in Sardinia (see below). It affords, at any rate, a presumption that in all three islands we have to deal with the same civilization if not the same people. Such a presumption is not weakened by the fact that in Sicily the usual form of tomb was the rock-hewn sepulchre, which, as will be seen later, is very often a concomitant of the megalithic monument, and in many cases is proved to be the work of the same people. In the early neolithic period in Sicily, called by Orsi the Sicanian Period, rock-hewn tombs seem not to have been used. It is only at the beginning of the metal age that they begin to appear. In this period, the so-called First Siculan, the tomb-chamber was almost always circular or elliptical, entered by a small door or window in the face of the rock. The dead were often seated round the wall of the chamber, evidently engaged in a funerary feast, as is clear from the great vase set in their midst with small cups for ladling out the liquid. A single tomb often contained many bodies, especially in cases where the banquet arrangement was not observed; one chamber held more than a hundred skeletons, and it has been suggested that the bodies were only laid in the tomb after the flesh had been removed from the bones, either artificially or as the result of a temporary burial elsewhere. Such a custom is not unknown in other parts of the megalithic area. With these bodies were found large quantities of painted pottery, a few implements of copper and many of flint. Among the ornaments which the dead carried--for they seem to have been buried in complete costume--were |
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